The Search for Mabon

Mabon son of Modron… was taken when three nights old from between his mother and the wall… No-one knows where he is, nor what state he’s in, whether dead or alive.’
– How Culwch Won Olwen

Narrator:
On the verge of May when the veil is thin
Between city and suburb and faery hall and glen
Modron born of Avalon bewails her missing son.
If he is not rescued, summer will not come.

Across Britain’s suburbs and industrial towns
A clarion blast sounds on a white bone horn.
The landscape reverberates like water at its call.
Plunging steeds leap forth bearing fair Cai tree tall,
Bedwyr swinging the spear of nine blows,
Gwalchmai hawk eyed screeching,
Gwryrh each language speaking,
Cynddylig guide, Menw the enchanter,
And Eidoel son of slaughter.

Cai:
We’ve searched all of Wales and England too
Mabon is lost midst the sky scraper rows.
The impenetrable wall we cannot break through.
Hidden is his prison and invisible its rooms.

Gwalchmai:
We’ve lost the wolf and elk, walrus and bear
See the drays of grey squirrels have replaced the red.
The countryside has evaporated, bees are humming scarce,
The wildest animals are gone. This land is sunk in death.

Gwryrh:
I’ve spoken to the cattle, sheep and pigs
And the household pets but they no longer speak.
I’ve tried asking people but they neither see nor hear,
While the darkness keeps darkening and Modron weeps.

Menw:
The curse on this land cloys denser than a spell,
Its wizards are more cunning than the witches of Caerglow.
As Mabon’s release is their shining sun
If he remains in prison then their days are done.

Cai:
Why should we care?

Gwalchmai:
The subjects here are our distant sons and daughters
Prisoners like Mabon in their tower block quarters.

Bedwyr:
And if Mabon is not sought,
Twrch Trwyth will not be caught,
The razor he carries stolen,
Yssbaddaden will not be shaven
And Culwch will not win Olwen.

Cai:
Then we must seek out the oldest animals.
I believe a blackbird can be found nearby.

Blackbird of Cilgwri (on the Wirral Peninsula):
When I first came here I alighted on an anvil,
Watched engrossed the glow of the furnace and hot iron.
My song combined with the hammer as I pecked,
Joined by centuries of smiths until only a nut remained.
When factories replaced the forge I hid it.
My nut and I survived the blitz.
I have seen industry rise and fall and suburbs sprawl
But know not the prison of Modron’s son.
Yet I know one shaped before me who might
And if you wish I will serve as your guide.

Stag of Rhendynfre (in Cheshire):
When I first came here there was an oak sapling
That grew like my antlers branching into a mighty crown.
It fell, leaving a stump red with blood. Over Farndon
Welsh and Angles, Royalists and Roundheads fought.
I have seen battles aplenty lost and won
But know not the prison of Modron’s son.
But I know one shaped before me who might
And if you wish I will serve as your guide.

Owl of Cwm Calwyd (in Gwynedd):
When I first came here this vale of Conwy was wild wood
Destroyed by men, grown back, brought down again.
I have seen mine shafts sunk, pit men gone
But know not the prison of Modron’s son.
But I know one shaped before me who might
And if you wish I will serve as your guide.

Eagle of Gwernabwy (in Gwynedd):
When I first came here from my tall rock I tasted the stars, rolled
Their crackle on my tongue and passed their wisdom to my young.
Now my rock is sunk, the sky forbidden. To Gwynedd
I have seen carloads of holiday makers come,
But know not the prison of Modron’s son.
Yet in a lake on the Severn dwells a salmon
Who drowned me before I wrenched fifty tridents from his spine.
I think you might benefit from his wisdom.

Salmon of Llyn Lliw (on the mouth of the Severn):
Mabon was once prisoner in Gloucester’s wall
But now the cell is empty, his captors gone.
Rumour tells me by the Ribble in the North
Mabon is imprisoned in another house of stone.

Narrator:
Down the old tram road they see the Ribble’s shining vista,
Hear the song of the river, catch the moonlight shimmer.
From the dazzling pitch and flow a salmon pokes his nose.

Salmon of the Ribble:
Stand upon on my shoulders and to Mabon we will go.

Narrator:
The intrepid troupe assemble on the salmon’s back
And ride to the north bank with their steeds swimming behind.

Salmon of the Ribble:
Cross through Avenham Park to the city of Preston.
Listen for the groan of Mabon in his prison.
Modron’s son is cruelly engorged
In the seat of all that’s wicked- in the Centre of St George.

Narrator:
Lances high to starry sky, flags unfurled the cavort ride
Crashing over tarmac and bursting neon lights
To rally at the entrance of the centre of all evil
Where the elevators slide and the lifts glide baleful.
Artificial lights light the artificial caer
And a one eyed giant bawls

One Eyed Giant
Who goes there?

Cai:
Mount the lance, draw the sword, stay the shield, set the spear,
We will tear down the walls like the fire cracks a bier.
Wheel the steed, raise our arms, to this wickedness amend
Wrest the son from his prison, by the hand of my friend.

Narrator:
Doorways shatter like a crystal cave in
Steeds arc bucking like the breath of Faery
Down the false lit corridor their swiftness chasing
To the circlet hall where the giant is waiting.

His circular eye is as gold as wealth
His maw brims wide to devour the world
Glistening black as a politician’s soul
He unwinds his scales into dragon form.

Cai smites with lethal bright immutable sword,
Growing taller than the tallest of the trees on Avenham park.
One thrust from handsome Bedwyr strikes nine blows
Driving the serpent into dismal throes.
Eidoel Aer, pepped for the slaughter
Cuts a phalanx of sores into the creature’s quarters.
Gwalchmai’s hawk pecks its eye bone bare
Cai thrusts his sword into the eyeless stare.
The scales subside like a sliding slogan
At the flick of nine wands the spell is broken.

Ascend nine wizards in immaculate suits
They float on greed and designer shoes.
Their ties are tied in perfect knots
Like the bonds of life in the hangman’s garrotte.

Menw steps forward with his wand of hazel

Menw:
Subtle illusionists, cease your evil!

Wizard One:
Fools of Faery, you don’t stand a chance
When the light of the world lies locked in our banks.

Wizard Two:
Deep in our vaults Mabon laments
As we sap out his life to sustain our command.

Cai:
Curse your greed, we will have our inspiration.
Menw, weave a spell, let us fight his liberation.

Narrator:
Menw raises his wand, the hallowed hall crackles
And rocks in rivets like a dome in shackles.
Shop faces fall like dull dumb dolls,
Beauty’s errant features leak ugly holes.

Deep within the atmosphere the air is shimmering
Strangled in their suits the wizards are shrivelling.
On the strike of spear and sword thick runs the gore
Sluicing parapets of wealth down the stairs and out the doors.
Slicing through disguise, every garment falls
The knights of Faery tear down the wall.

From the house of stone, Mabon rises,
On the slender stroke of dawn, as a shaft of beaming light.
Pure and youthful, small but bright,
His miniscule frame holds infinitesimal might.

He leashes his hound, mounts white dark mane
Travailing forth at a time of desperation.
Gathers the reins, readies his bow,
Notches an arrow for a-hunting he must go.

Hence Mabon was sought,
Twrch Trwyth was caught,
The razor was stolen,
Yssbaddaden was shaven
And Culwch won Olwen.

Modron born of Avalon gathers in her arms
And rejoices glad her fleeting son as beaming summer comes.

Englyns on Auroch Skulls

Auroch Skull, the Harris Museum

 

 

 

 

 

 

Staring from the museum
eye pits glare beneath fierce horns,
haunted wells of atrophy,
gazes flee their blind prisons

back to Taurean eras
of thunder down the river,
reeking ride of reddish hides
steaming wild to the water,

skidding sudden to a halt,
thick bones trembling, muscles taut,
bullish courage killed by fear
of men’s spears and swift assault.

Seeing skies alive with darts
herd wheels, swings and departs.
Knees buckle and hocks collapse
at the agony of barbs.

Most escape, some are slaughtered,
five stagger, tidal water
rises as they struggle and sink.
Its cold brink claims their corpses.

Tides turn. Sediments heap.
Silt and till on layered peat
bury bones in sunken sands,
erred, abandoned for centuries

until wrested from repose
five bovine skulls are disclosed
by dockland’s excavation,
shivering blind and exposed.

Breezes trace visages bared.
Tongueless trophies taste the air.
Denied thunder impaled rage
hangs displayed, an endless stare.

Skull songs lie trapped in the eyes.
Visions burst where times collide.
Bones cry for wind-swept stampede,
aurochs released to the wild.

Auroch Skulls, Harris Museum

 

 

 

 

 

 

* This poem is based on a simplified variation of Englyn Cyrch, which I learnt from Robin Herne’s Bard Song.

Slow Spring

Celandine by Fish House Brook

 

 

 

 

 

The ground is parched, flowers sparse,
celandine’s only growing
near the stream. There is no grass
on the green but still they’re mowing
the same old tortured track ways.

Someone killed a daffodil
and spread it’s butchered limbs across
the valley. The trees might not fight
back but the winds will undo
our Baconian mechanics.

I was told by an ancient god
this world met it’s end in 2012.
When no-one noticed he only
laughed a little bit- whilst worlds
are always changing people don’t.

* This poem was inspired by a line shared by Coll on the Druid Network Members’ site: ‘Genius is but a robin’s song at the beginning of a slow spring.’ – Kahlil Gibran

Calling

Before my calling I slept in a glass coffin.
No-one knew if I was live or dead until
I raised my head. And still they are pondering.

Whilst I slept I watched processions
of black clad men carrying coffins,
who march here still putting time
to death, brief as dragonflies.

Their echo beats loud. In woodlands
at March I search for a heartbeat, whilst
mad winds whirl the winter skies overhead.

Roads steal sound. Pylons warp every sense.
Yet when I look the past in the eye it looks back.
They need us now as much as we need them
and the people of the future need us again.

For live or dead there is no rest, no place
to hide nor coffins left, only time processing
through both worlds to a fathomless end.

Mist on the Holme

The Ribble from MiddleforthMist on the Holme-
the perfect phantom of a morning.
Bridges fade. The river finds her old routes.
Allotments and playing fields resume their archipelago.
Over thickening silt rough currents rush.
I am knee deep in mud, stumbling through rushes.
Gulls flit like ghouls with beaks of fog.
I hear the oar of a ferryman break the churning water
to claim my coin and take me home beyond the distant shore.

The Other Side

Looking beyond the embers of bridges glowing behind us
To a glimpse of how green it was on the other side
Steps taken forwards but sleepwalking back again
Dragged by the force of some inner tide
– Pink Floyd High Hopes

Glastonbury 2000

The world was ours, the moment all that mattered.
Our hopes were high in the mist of dawn.
We flung our friendship over the wildest horizons
riding rainbow lights and drums to distant haunts
that never satisfied the fire in our souls
nor the loneliness that lay its pall between us.
Strung out on stars, burning everything of value
we reached the ravaged borderlands and paused
so far gone even astronomers couldn’t find us.
Looking beyond the embers of bridges glowing behind us

they saw the stone circle and distant Tor,
the penumbra of a festival vanished to the night.
At last we staggered home lost and nearly blind,
dazzled by the sun we couldn’t find to tiny houses
with stiff front doors surrendering hope for certainty.
The return was hard, obeying the constant grind
of re-learning how to put one foot in front
of the other one. Re-mastering the system, unseeing
starry skies. Yet on the odd occasion reality elides
to a glimpse of how green it was on the other side.

I fought onward, eventually alone
as the division bell began to toll, making happy
families with freshly ironed clothes, polished homes
and forced smiles. From a dusty library I looked out
across the hills- a glimpse of green and beacon fire.
My feet trod through cotton grass to broken remains
of tribal ruins drawn by chants on the west wind.
The other side returned to life in the vestibules of trees.
I saw a river goddess wash her hair in the rain.
Steps taken forwards but sleepwalking back again

the fragments stayed broken, my vision incomplete.
Stunned by the Tor redrawing itself on the backdrop
of my mind I relit the embers on the Ribble’s bank
and recalled the last hint of paradise before everything
went black and time took our dreams away. Guided
by the voice of an otherworldy king I reclaimed my pride
at the Tor’s white spring. Time performed its circle,
gave back my starlit dream. The world is mine again.
To the other side and spiralling back I ride
dragged by the force of some inner tide.

Glastonbury Tor 2013

Porth Annwn

Porth-Annwfyn. Some numinous, arcane agnomen, but which to my dream cognition was livid as moonshine and did plainly signify: Gate of Elysium.’
– David Jones The Dream of Private Clitus

I.
Where is the door?
The shadowy portal exists
In the thickness of the veil
In the heart of mist
Where life divides
And fateful cataracts meet.
There are as many doors
As you have eyes that open.

II.
And who is the porter?
It is never who you thought it would be.
It is always who secretly you knew
From the world’s beginning.

III.
There are many doors
And I can speak of but a few.

Trees keep doors.
They are not in the front or back
But in the spiralling melt
Into arboreal existence.
This is the forest path.

Look into a river
To find yourself on the mirror side.
Remember to be returned
With the turning of the tide.

To reach the summer stars
Seek out a silver space ship.
Beware for Elysium’s bliss
Is more deadly than Annwn’s darkness.

Beside the door of death
A spectral hound sits.
He’s black or white-
Depends on the way
You’re looking.
He swallows whole souls.
The lucky ones hit the ground running.

The Black One of the Seas

Castle Hill, on the RibbleThe green hill on the water drifts
Anchorless on high tide.
Wraiths of fog fight the primal mist.
Hoof beats fall from behind.

The splash of marsh brings rounded feet;
Miracle he doesn’t sink,
Approaches like an isle-bound fleet,
The Black One of the Seas.

His mane is waves, his arching crest
Vaunts higher than a mountain.
His tail, a tiller switches, twists,
His nostrils foam black fountains.

His heaving chest rumbles and roars,
Rolls like the tides of the seas.
His long legs, a volley of oars
Beat like a heart possessed.

A troupe of seven rides his back,
The Northern King Elidyr,
Advisors, servants, child behind,
A cook upon his crupper.

Weary party, a doomed portent,
Endlessly blown ferry
Voyages black and breaking straits
From Clyde to Anglesey.

Rhythms of life they drive and smash
Like waves wrecking a jetty.
Then sink back to the ocean’s death
With the Black One of the Seas.

* This poem is based on ‘The Three Horse Burdens’ from The Triads of the Island of Britain, which can be found here: http://www.celtnet.org.uk/texts/llyfr_coch/typ_eng.html

Maponus Chant

Sun set over Penwortham, December 2012From a night of long sleep
In the dark of the womb
Maponus Maponus
Awaken the dawn

With a beam of bright youth
From a wild shy horse
Maponus Maponus
Illumine the morn

In a smiling ascent
To a shining throne
Maponus Maponus
Rise high at noon

Emblazoning clouds
And falling through leaves
Maponus Maponus
Colour the eve

With a sinking yawn
To the arms of trust
Maponus Maponus
Descend at dusk