Shaping Sanctuary

On the Challenges of Shaping Sanctuary in Shamanic Practice

My relationship with my home hasn’t always been one of sanctuary. Some days, it still isn’t. I recognise the irony that as soon as I decide to offer some shamanic guidance on the subject, my mum’s ceiling starts leaking, and it turns out we need a new roof and have roofers banging on the roof for two weeks!

The term ‘sanctuary’ didn’t have much meaning for me when I was young. The first time I started thinking about it was when I watched the Disney film, The Hunchback of Notre Dame, where Esmerelda knocks on the doors of the cathedral crying, “Sanctuary, please give me sanctuary.” Thus, I came to associate sanctuary with churches and cathedrals. Places I felt banned from because I neither worshipped nor felt any connection with the Christian God. 

Still, home was a safe place. The only safe place. Safe from school. Safe from the bullies (although I always feared they would follow me home). There, I could hole myself up in my room with my Playmobile riding school, with a fantasy book, with a new story to write, with characters from it to draw. Unfortunately, it was a place where I shut myself away with chocolate too.

I’ve lived in this very same house, in Penwortham, Lancashire, since I was four years old. Only a few times, briefly, have I attempted to move away. The walls recall every single one of my temper tantrums, every argument with my parents, every time I stuffed my anger and despair down with food. They held me through those times. They stood there without judgement.

They held me through my difficult teen years when I blu-tacked onto them posters of Jon Bon Jovi, Guns N Roses, the Manic Street Preachers, David Bowie, Pink Floyd, Joy Division, Marilyn Manson, Nine Inch Nails. As I hung them with feather boas and filled my room with glitter and balloons. As my taste in music and my life got darker, they bore witness to me smoking cigarettes and joints out of my window and my heavy drinking and self-harm.

Their holding of me largely went unacknowledged. I was far too caught up in my own world, my own pain, to be aware of anything or anyone else. 

This began to change when I discovered Paganism and Druidry. When I began to tentatively reach out for relationship with the other-than-human world. I’d long been able to perceive spirits, but, as someone with an overactive imagination, was unsure how to discern what was real and what was not. It turned out I needed to stop asking that question and trust my imaginal faculties (which have long been denigrated in the Western world). 

I made contact with the guardian of this patch of land who has been here long before the houses were built. I made a clay statuette of him and began making offerings of butter. However, these went icky and didn’t feel right. Although this is a traditional offering, I’m not sure that my dad’s Morrison’s Unsalted Butter had the same meaning as homemade butter made from one’s own cow milk in pre-industrial times. I’ve tried leaving processed milk at the bottom of the garden, but that was messy and smelt bad. So, I’ve settled for prayers and attention, and that seems to be enough. 

In spite of making contact with our guardian spirit and setting up an altar to my Gods and local spirits in my bedroom, my relationship with our house as a whole wasn’t good. Outside of my room, I didn’t feel it was truly ‘my home’. It didn’t cross my mind that relationship doesn’t equate to ownership.

Although I was religious and devoted to my Gods and spirits in many ways, totally offered myself in service to Them through my creativity and devotional practices, my relationship with my home and my parents was very poor. I spent much of my time shut away, drinking and writing, living my life through the Pagan and Polytheist blogosphere, ignoring the reality around me.

My parents didn’t take much care of the house either. My mum kept it clean and did a little painting, but largely, no decorating was done since we moved in. We live in a damp area near to a drained off mossland (Penwortham Moss). Damp was coming through the walls. There was mould in the bathroom. 

“You don’t speak very good house speak,” I was told by our guardian spirit. 

Soon afterwards, Covid struck. By this time I’d realised I was never going to make a living as a Brythonic polytheist author and was attempting to volunteer my way into conservation work. My work parties were called off. With nothing else to do, I turned my eyes to the house and garden. I took carloads of my parents’ accumulations to the Recycling Centre. I deep-cleaned. I began to tackle the damp and the mould but dared not touch the bathroom. 

This changed a year later, coinciding with the arrival of a birthday present – Dver’s Mycorrhizal Dionysus. The day it arrived, the mould began to spore. I donned a mask and a hazmat suit and managed to remove it from the walls and stripped off the painted wall paper, taking it right back to the plaster. (What kind of idiot puts up wall paper in a bathroom then paints over it?). This took me over three days and another three days to apply anti-mould paint. 

It wasn’t the last time the hazmat suit was required. We have a crumbling Artex ceiling in our dining room that I was forced to patch up and paint over. 

In all honesty, I didn’t work in relationship with the house very well. I was far too angry with my parents for the years of neglect and this coloured my work. 

Yet, when it came to decorating, I did ask what it wanted and listened to its replies. House speak is a bit different to communicating with a guardian spirit. The spirit of my house doesn’t appear in anthropomorphic form. Our communication takes place more through the felt sense, through groans and creaks, through visible signs. And, of course, events, like a leak or the gutter falling down. I got a feel for what colours it wanted then integrated this with my mum’s desires. (My dad refused to accept we needed to decorate at all). 

Over the past few years, I have re-decorated nearly the whole house. Two years ago, I did my room. As I got rid of the old chest of drawers and wardrobe, replacing them with my great grandmother’s chest of drawers (I’d downsized my clothing), I felt a sense of release from the past. Those wooden beings had borne witness to all my bad habits. They were thanked and taken to be recycled. As I cleaned and painted the walls, which were grubby with smoke from when I smoked and from my candles, I felt the darkness from past years lifting, their breathing anew. The new carpet was so thick and luxurious after the old one I rolled around it like a horse on a new bed (an impromptu ritual it seemed to appreciate). I remade my altar and reconsecrated ‘the sanctuary’. The atmosphere has been lighter since. 

I’ve done a lot of work in the garden too but that’s another story I won’t go into here. What is being asked of me now by my Gods and spirits is that I be aware and present as I go about the house. Treat it all as a sanctuary. That I embody sanctuary. That my embodiment of sanctuary is reflected in my everyday relationships with my house and with my parents.

This is the core of my current work. It’s very different to when I was doing deeper trance work and writing drunkenly and having lots of visionary experiences. One might say I have become very boring. On the outside, that is true for sure, but on the inside I have grown a lot in terms of recognising and challenging my bad habits and become a safer, more compassionate person.

The shaping of the Sanctuary of Vindos remains a work in progress. It is one that requires co-operation between myself, Vindos, the Spirit of the Sanctuary, my room, our house, and my parents. 

My meditation practices have helped me to regulate my nervous system better, but I’m still anxious, stressy and irritable. I have come to accept, as the Buddhists say, these seeds will likely always be strong within me. I am learning to water them less and to water calmness and gratitude more.

Life continues to have its ups and downs. Some days, I come close to living, breathing and embodying sanctuary. Sometimes, it feels as far away as the moon.

Whether a time will come when I feel worthy of offering ‘shaping sanctuary’ sessions I remain unsure. I would be interested to hear about the experiences of others of creating sacred space and ways of being amidst the complexities and the difficulties of the everyday world in their spiritual practice.

Six s’s of Sister Patience that will live on

With the Monastery of Annwn, I took vows of simplicity and sustainability. I simplified my wardrobe, cutting it down to three sets of winter clothes, three sets of summer clothes, a couple of things for in between, and gym kit. All but my fleeces, coats, and waterproofs fit into my great-grandmother’s chest of drawers. I never buy clothes or shoes unless I need them. I once had altars to many Brythonic gods and various spirits, but as they were little used (the only thing worse than no altar is a neglected one), I rearranged them to reflect my near-henotheistic devotion to my patron God, Gwyn ap Nudd. I walk or cycle within my limitations as someone with knee issues and a cheap bike (after my last one was stolen), and do my best to buy local or at least British food.

Solitude has always come naturally to me. I love being alone (with my Gods), and only the call of the awen or the fulfilment of my shamanic vocation can happily draw me out of this state. Silence has been one of the greatest blessings. As an autistic person, exterior quiet has long been essential for me, but it’s only since exploring Eastern methods of meditation and Christian methods of prayer that I have managed, on occasion, to attain the inner silence needed to truly listen to the Gods.

I’ve lived in the same house in Penwortham pretty much since I was four years old, so stability really accords with me. Increasingly, I have no desire to travel. I’m happier and happier deepening my relationship with my home, garden, local valley, and walking and cycling in the local area. 

When I learnt I must give up the name Sister Patience, I feared her sanctuary would have to go with her. I was saddened to think of the departure of its spirit. Yet Gwyn came along and asked that I dedicate it to Him by His older name Vindos. I was absolutely delighted. It felt so right (although I had a sneaking feeling that He might have been planning for this all along…).

Another word, which I can’t include as it doesn’t begin with an ‘s’ but does have ‘s’s’ in it, and forms the spiritual core of all the ‘s’s’ is godspouse. It was as Sister Patience I married Gwyn, as a nun of Annwn, similarly to a Bride of Christ. I’m glad to say that we’re still happily wed and our relationship will live on. In retrospect I guess it makes sense that a year after we get married He moves in!

Beneath is an image from the cover of a poetry book about our marriage called ‘The Heart of Annwn’ that I wrote for Gwyn and was planning to offer to Him when I retook my temporary monastic vows this year. The book wasn’t quite good enough and the vows will not be made, but I’m hoping I might one day rework it. For now, here is the image I was planning to use as cover art.

To the Spirit of the Sanctuary

A place of quiet beyond the row,
the heartbeat of Annwn
is Your only sound,
the occasional song rising
like heartbreak from the Deep.

To keep me safe Your invisible roses twine around.

Your forget-me-nots remind me
of the King of Annwn in the summer.

Into You I am gathered by the Gatherer of Souls.
In You, with my Beloved, I am at home.

In You I can heal and I can heal others too.
Into You I gather the lost pieces of our souls.

In You I am complete in every single moment.
In You I can breathe every single breath.
In You my heartbeat is at one
with the heartbeat of Annwn – the heart of my Lord.

So hold me here, until I die, my sacred home.

Being Sister Patience

I.
It started as a joke.

I can’t remember exactly when. It might have been around this last time last year. I was being characteristically irascible, rash, impatient, none of the qualities that you’d associate with being a nun.

“Sister Patience,” I heard the mocking voice of my patron god, Gwyn.

It irked me, but it also awoke and called to something deep within.

Rising to his challenge, “I will be Sister Patience,” I told him.

And that was how Sister Patience came to be.

II.
She came into my life as an alter ego at first, as I struggled through my traineeship with the Lancashire Wildlife Trust on the Manchester Mosslands, helping me shape and find respite in the sanctuary of Creiddylad’s Garden.

I wrote this poem about her last summer:

The Sanctuary of Sister Patience

Weeks of weeding
are fundamental to the path,

to the wedding of him and her and him –
Gwyn and Creiddylad and Gwythyr.

When Summer’s King vaults over the wall
all the flowers turn their heads towards him, as if to a beam of light.

All the plants need the light and dark reaction to photosynthesise and this is written on her habit in an obscure symbol on one of her voluminous cuffs.

He who stole the light of Bel and Belisama and gave it to mankind…

When he arrives in her garden it is yestereve, yesteryear,
and all the flowers are gloaming and he longs
to know what lies beneath her cowl
for her eyes are two moons
that will shine

upon a future world that will never stop flowering with its own weathernarium…

He is all heat and fire and flame
and she is patience…

in Annwn, in the soil, in the mycorrhizae,
in the roots, in the shoots, in the leaves, in the flowers, turning
towards the light and these are the mysteries –

the poetry of nature not
of the bardic seat.

Like the ranunculi
are the wanderings of
the wild nuns knowing no order –

their names a mixing of Latin, Greek, 
Norse, Anglo-Saxon, Welsh, common and binomial.

This I was taught by the comfrey I bought
when I was first learning to ‘do magic’,
which worked its magic here,

filling my garden with purple flowers,

smelling soothing as the healing of bones,
one of the favourites of Old Mother Universe.

She loves the first one or two tiny cotyledons
of every plant reaching for the light not knowing their origins.

She carries the seeds of all the worlds in the brown paper envelopes
in her pockets rustling when she walks, so carefully labelled
in the language of Old Mother Universe only she knows – 
the names, the dates, the places, so distant…

With them she will build her sanctuary
beyond the trowelling
of my pulse.

III.

Since then, slowly, imperceptibly, the miles between us have closed.

I’ve been patient. I’ve completed my traineeship. I’ve moved on into a new job as a graduate ecologist in which I’ve been faced with a whole new set of challenges. Not only learning to carry out new surveys but a whole new skillset on the admin side – providing quotes, carrying out desktop studies, writing reports, learning to see a job through from beginning to end.

It’s been a steep learning curve and not without its ups and downs. As an autistic person who likes routine and staying close to home I have struggled with travelling long distances to new places and, in particular, with night work.

One of the surveys is monitoring great created newt and wider amphibian populations as part of mitigation schemes on developments. This involves arriving before sunset to set bottle traps, waiting until after sunset to survey for newts by torchlight (as they’re active after dark), then returning early in the morning to empty the bottle traps. This work can only be done in the company of an experienced licence holder who is qualified to handle the newts.

It’s fascinating work and it is a privilege to see these beautiful creatures up close. It’s also a shake-up to my routine, most days get up at 4.30am to do my devotions, meditate, study, and go to the gym or run before cycling to work for 9am, finishing at 5pm, eating, winding down, and being asleep by 8.30pm.

I’ve been lucky to be part of a team who are not only incredibly knowledgeable and experienced, but also supportive and mental health aware. I’ve been able to be open with them about my autism and the anxiety that stems from it from the start. For now, my manager has allowed me to start no earlier than 8am, so that I have time for spirituality and exercise, which are both essential for my mental health, and to do only one night a week.

They have been patient with me and, although I’ve felt like I’ve been slow, looking back, over just a month and a half I have learnt a huge suite of new skills, from assessing habitats and writing species lists on Preliminary Ecological Assessments, wading up rivers looking for otter spraints and prints, investigating buildings for signs of bats, to mastering the routine admin.

When I’ve been tired and shaken and overwhelmed I have walked with Sister Patience and together we have shaped her sanctuary in Creiddylad’s Garden.

IV.
I have been patient.

The garden is coming into bloom.

I have found a job where I belong and feel fulfilled.

On work days I am an ecologist and, in my own time, I am Sister Patience.

I’m hoping the two sister strands of my life will one day intertwine to become one and that this job will provide the financial grounds to shape my sanctuary and, perhaps, one day, build the Monastery of Annwn*.

*Whether this is meant to be a physical or spiritual place I don’t yet know…

The Call of the Hooded Man

He started appearing in my tarot readings at the beginning of the year: the Hooded Man. In my reading for 2020 on New Year’s Eve in the place of ‘home’, then again and again, strangely, mysteriously, as we shifted from a stormy winter to a glorious spring and I was spending more time with people outdoors.

In the Wildwood Tarot the Hooded Man occupies the traditional position of the Hermit. His ‘Position on the Wheel’ is ‘the mid-winter solstice’. Dressed in a black cloak adorned with holly he stands amidst the snow with a wren at his side, a staff in one hand, a shining lantern in the other. He points towards a doorway in a great tree with a wreath upon it, offering solace from winter’s harshness.

The main meaning of this card is ‘this is the time of solitude and contemplation’. Why was I getting this card when I was busying myself with work parties five days a week and preparing for an internship at Brockholes, which involved outdoor work and engaging with large groups of volunteers?

The answer came as the arrival of coronavirus, as the lockdown, the perfect reason to respond to his call. But what did I do for the first three weeks? Spend my time watching what everyone else was doing, beating myself up for not being busy, for not having a proper job, resisting the call of the Hooded Man.

And yes, I felt it, and he spoke to me clearly. On one occasion this was through the new module on ‘Holly’ in the Tree Spirit Medicine course on the Way of the Buzzard Mystery School. The course leaders, Jason and Nicola associate holly with ‘sanctuary, resilience, and protection’. These were qualities I felt I needed to draw upon and immediately I associated them with the Hooded Man. I journeyed to holly to ask ‘how to slow down and participate in the Hooded Man’s sanctuary.

Holly said:

The berries of life
are not always yours.

So what is yours?

How will you
grow your berries?

What can you offer?

How will you shape
your sanctuary?

I took this to mean that I couldn’t just barge into the Hooded Man’s sanctuary and assume his berries (the hard-won fruits of many years of solitude and contemplation) are mine for the taking. That I must take the time and effort to shape my own sanctuary, grow my own berries, share them with others.

What was particularly significant about this journey is that the day afterwards, after I had cut back and cleared the blackberry bushes which were taking over the bottom of my parents’ garden, I found a little holly sprig. Immediately I knew this was ‘the Hooded Man’s corner’: a place I could find sanctuary.

But still I resisted for fear that retreating would make me less of an awenydd to my community and gods. When I first set out on the awenydd path it was with the purpose of serving Gwyn and the spirits of the land through sharing poems and research on mythology and my personal journey.

Somewhere along the line, when I was involved with Dun Brython, when Greg Hill and I founded ‘Awen ac Awenydd’ I felt these responsibilities were nudging me toward community leadership. However, Dun Brython never grew due to a lack of interest in Brythonic Polytheism. Whilst the Awen ac Awenydd Facebook group generated some interesting discussions, the participants didn’t mesh enough to develop a shared practice, and the plans for a physical meet-up failed completely.

I reached the conclusion that Facebook is not a suitable platform for building meaningful relationships and left. ‘You’re not a follower but you’re not a leader,’ the words of my wise friend, who read my tarot, haunted me. What am I then? What is the role of an awenydd who neither leads nor follows?

“You must focus on your gift,” the voice of my god from within.

Reflecting on the nature of this gift I realised that it is the awen and the meaning of ‘gift’ is manifold. The awen is not only my gift, my talent, my role in the world, my destiny, but is given by the gods and something I have a responsibility to give back to others. This being gifted with and my giving of awen is of value in itself. I don’t need to be a leader or a spokesperson for my path.

This revelation came as a huge relief and has given me clarity about where I’ve made mistakes in the past. After watching a podcast with Martin Shaw on ‘Pandemic and Mythic Meanings of this Cultural Movement’ in which he posed the question ‘would this not be a good time to re-establish a relationship with our souls?’ I realised over the past few months I have neglected my soul’s journey.

When I journeyed to the Hooded Man for advice on how to focus on this he said I need to ‘clear space outer and inner’ and ‘cultivate a longing for the mysteries’ in the place of my anxieties.

What was of interest, and slightly disturbed me, was that he told me has had burning ambitions, been riddled by doubts, that he has made made mistakes, that his aura of calm is the result of centuries of inner work. That sometimes it is just a facade that covers over the conflicts he feels within.

For some reason I thought he had always been the Hooded Man at perfect peace in his self-mastery. Yet a story, or many stories, lie beneath the the hood of this man who has many faces.