On the Challenges of Shaping Sanctuary in Shamanic Practice
My relationship with my home hasn’t always been one of sanctuary. Some days, it still isn’t. I recognise the irony that as soon as I decide to offer some shamanic guidance on the subject, my mum’s ceiling starts leaking, and it turns out we need a new roof and have roofers banging on the roof for two weeks!

The term ‘sanctuary’ didn’t have much meaning for me when I was young. The first time I started thinking about it was when I watched the Disney film, The Hunchback of Notre Dame, where Esmerelda knocks on the doors of the cathedral crying, “Sanctuary, please give me sanctuary.” Thus, I came to associate sanctuary with churches and cathedrals. Places I felt banned from because I neither worshipped nor felt any connection with the Christian God.
Still, home was a safe place. The only safe place. Safe from school. Safe from the bullies (although I always feared they would follow me home). There, I could hole myself up in my room with my Playmobile riding school, with a fantasy book, with a new story to write, with characters from it to draw. Unfortunately, it was a place where I shut myself away with chocolate too.
I’ve lived in this very same house, in Penwortham, Lancashire, since I was four years old. Only a few times, briefly, have I attempted to move away. The walls recall every single one of my temper tantrums, every argument with my parents, every time I stuffed my anger and despair down with food. They held me through those times. They stood there without judgement.
They held me through my difficult teen years when I blu-tacked onto them posters of Jon Bon Jovi, Guns N Roses, the Manic Street Preachers, David Bowie, Pink Floyd, Joy Division, Marilyn Manson, Nine Inch Nails. As I hung them with feather boas and filled my room with glitter and balloons. As my taste in music and my life got darker, they bore witness to me smoking cigarettes and joints out of my window and my heavy drinking and self-harm.
Their holding of me largely went unacknowledged. I was far too caught up in my own world, my own pain, to be aware of anything or anyone else.
This began to change when I discovered Paganism and Druidry. When I began to tentatively reach out for relationship with the other-than-human world. I’d long been able to perceive spirits, but, as someone with an overactive imagination, was unsure how to discern what was real and what was not. It turned out I needed to stop asking that question and trust my imaginal faculties (which have long been denigrated in the Western world).
I made contact with the guardian of this patch of land who has been here long before the houses were built. I made a clay statuette of him and began making offerings of butter. However, these went icky and didn’t feel right. Although this is a traditional offering, I’m not sure that my dad’s Morrison’s Unsalted Butter had the same meaning as homemade butter made from one’s own cow milk in pre-industrial times. I’ve tried leaving processed milk at the bottom of the garden, but that was messy and smelt bad. So, I’ve settled for prayers and attention, and that seems to be enough.

In spite of making contact with our guardian spirit and setting up an altar to my Gods and local spirits in my bedroom, my relationship with our house as a whole wasn’t good. Outside of my room, I didn’t feel it was truly ‘my home’. It didn’t cross my mind that relationship doesn’t equate to ownership.
Although I was religious and devoted to my Gods and spirits in many ways, totally offered myself in service to Them through my creativity and devotional practices, my relationship with my home and my parents was very poor. I spent much of my time shut away, drinking and writing, living my life through the Pagan and Polytheist blogosphere, ignoring the reality around me.
My parents didn’t take much care of the house either. My mum kept it clean and did a little painting, but largely, no decorating was done since we moved in. We live in a damp area near to a drained off mossland (Penwortham Moss). Damp was coming through the walls. There was mould in the bathroom.
“You don’t speak very good house speak,” I was told by our guardian spirit.
Soon afterwards, Covid struck. By this time I’d realised I was never going to make a living as a Brythonic polytheist author and was attempting to volunteer my way into conservation work. My work parties were called off. With nothing else to do, I turned my eyes to the house and garden. I took carloads of my parents’ accumulations to the Recycling Centre. I deep-cleaned. I began to tackle the damp and the mould but dared not touch the bathroom.
This changed a year later, coinciding with the arrival of a birthday present – Dver’s Mycorrhizal Dionysus. The day it arrived, the mould began to spore. I donned a mask and a hazmat suit and managed to remove it from the walls and stripped off the painted wall paper, taking it right back to the plaster. (What kind of idiot puts up wall paper in a bathroom then paints over it?). This took me over three days and another three days to apply anti-mould paint.



It wasn’t the last time the hazmat suit was required. We have a crumbling Artex ceiling in our dining room that I was forced to patch up and paint over.
In all honesty, I didn’t work in relationship with the house very well. I was far too angry with my parents for the years of neglect and this coloured my work.
Yet, when it came to decorating, I did ask what it wanted and listened to its replies. House speak is a bit different to communicating with a guardian spirit. The spirit of my house doesn’t appear in anthropomorphic form. Our communication takes place more through the felt sense, through groans and creaks, through visible signs. And, of course, events, like a leak or the gutter falling down. I got a feel for what colours it wanted then integrated this with my mum’s desires. (My dad refused to accept we needed to decorate at all).
Over the past few years, I have re-decorated nearly the whole house. Two years ago, I did my room. As I got rid of the old chest of drawers and wardrobe, replacing them with my great grandmother’s chest of drawers (I’d downsized my clothing), I felt a sense of release from the past. Those wooden beings had borne witness to all my bad habits. They were thanked and taken to be recycled. As I cleaned and painted the walls, which were grubby with smoke from when I smoked and from my candles, I felt the darkness from past years lifting, their breathing anew. The new carpet was so thick and luxurious after the old one I rolled around it like a horse on a new bed (an impromptu ritual it seemed to appreciate). I remade my altar and reconsecrated ‘the sanctuary’. The atmosphere has been lighter since.


I’ve done a lot of work in the garden too but that’s another story I won’t go into here. What is being asked of me now by my Gods and spirits is that I be aware and present as I go about the house. Treat it all as a sanctuary. That I embody sanctuary. That my embodiment of sanctuary is reflected in my everyday relationships with my house and with my parents.
This is the core of my current work. It’s very different to when I was doing deeper trance work and writing drunkenly and having lots of visionary experiences. One might say I have become very boring. On the outside, that is true for sure, but on the inside I have grown a lot in terms of recognising and challenging my bad habits and become a safer, more compassionate person.
The shaping of the Sanctuary of Vindos remains a work in progress. It is one that requires co-operation between myself, Vindos, the Spirit of the Sanctuary, my room, our house, and my parents.
My meditation practices have helped me to regulate my nervous system better, but I’m still anxious, stressy and irritable. I have come to accept, as the Buddhists say, these seeds will likely always be strong within me. I am learning to water them less and to water calmness and gratitude more.
Life continues to have its ups and downs. Some days, I come close to living, breathing and embodying sanctuary. Sometimes, it feels as far away as the moon.
Whether a time will come when I feel worthy of offering ‘shaping sanctuary’ sessions I remain unsure. I would be interested to hear about the experiences of others of creating sacred space and ways of being amidst the complexities and the difficulties of the everyday world in their spiritual practice.









